Amanda Bromfield


The Women of Hill End, Bathurst Regional Art Gallery 2023

Annie Groat earthenware 

On the 31st March 2023, Patchwork, the stories of the women from Hill End will open to the public at Bathurst Regional Gallery (BRAG). Amanda is currently researching the stories of the women who have lived at Hill End since the discovery of gold in the mid 1850s. Amanda completed a month long artist residency at Murray's Cottage in February 2021. 

Bathurst Regional Art Gallery
Wed, Mar 29th, 2023 10:00 am to Sat, Jun 3rd, 2023 4:00 pm

Elemental. Ceramics Arts QLD Members Exhibition Brisbane Institute of Art 2022

Mid fire BRT

Glaze and underglaze 

Sun, Aug 21st, 2022 10:00 am to Wed, Aug 31st, 2022 4:00 pm

North Queensland Ceramic Awards, Perc Tucker Gallery, Townsville 2022

The Stand Off  earthenware and mid fire ceramic

Perc Tucker Gallery, Townsville
Fri, Jul 22nd, 2022 5:00 pm to Sun, Sep 25th, 2022 5:00 pm

Birds 2, Gallery 3, Byron Bay 2022

Jenny, Ryan, Maddy and Glenn  mid fire ceramic with dry glaze 

Gallery 3, Byron Bay
Fri, Jun 3rd, 2022 5:00 pm to Fri, Jun 17th, 2022 5:00 pm

Australiana Exhibition, The Jam Factory, Adelaide SA 2022

The Last Stand earthenware ceramic

Group show of Australian ceramic art works to open in early February at The Jam Factory in Adelaide SA. 

The Jam Factory, Adelaide, SA
Sat, Feb 19th, 2022 10:00 am to Sun, May 15th, 2022 3:55 pm

The Nun in the Nightgown. Brigid Partridge, a woman who had enough. Wagga Wagga Art Gallery 2021

The bride, the novice, the nun in the nightgown and the plaintiff earthenware ceramic sculptures

Amanda Bromfield tells the little known story of Brigid Partridge. 

In 1920 a young Catholic nun ran away from the Presentation Sisters Convent at Mt Erin in Wagga Wagga. The nun was Sister Mary Liguori. Sister Liguori ran away because she was discontented and unhappy in her work place and, she feared for her life.

This exhibition marks the 100 year anniversary of the sensational NSW Supreme Court Case of Sister Liguori Vs Bishop Dwyer of the Wagga Diocese.

Amanda has created an installation using ceramics, found objects and performance video to tell the story of Brigid Partridge. Amanda views this story through a feminist lens and transports the past experiences of Brigid into a twenty-first century context. A series of ceramic plates use quotes from Julia Gillard, Brittany Higgins, Christine Holgate and Grace Tame give a contemporary context to the patriarchal nature of the society that Brigid experienced in post world war one Australia 

Wagga Wagga Art Gallery
Sat, Jul 24th, 2021 10:00 am to Sun, Oct 10th, 2021 5:00 pm

M Arts, Tweed Regional Gallery 2020

Blue Faced Honeyeater Pot

Clay: Thick and Thin, a group exhibition by the North Coast Potters Association 

M Arts, Tweed Regional Gallery, Murwillumbah NSW
Sun, Nov 22nd, 2020 10:00 am to Fri, Jan 22nd, 2021 5:00 pm

The Hurford Hardwood Portrait Prize, Lismore Regional Gallery 2020

Army of One earthenware ceramic sculpture  and self portrait of Amanda Bromfield

Finalist in The Hurford Hardwood Portrait Prize 2020. Lismore Regional Gallery, NSW

 37 second video of the same name by Chris davis and Amanda Bromfield

Lismore Regional Gallery, NSW
Fri, Nov 6th, 2020 10:00 am to Wed, Dec 30th, 2020 5:00 pm

Fisher's Ghost Art Award 2020 AND Byron Art Magazine Art Prize 2020

Before and After

Finalist in both the:

2020 Fisher's Ghost Art Awards, Campbelltown Arts Centre

2020 Byron Art Magazine BAM Art Prize, Northern Rivers Community Gallery, Ballina

Campbelltown Arts Centre NSW
Fri, Oct 30th, 2020 10:00 am to Wed, Dec 30th, 2020 5:00 pm

Tom Bass Prize 2020

Filipino Queen earthenware scultpure 


ceramic, handmade glazes and underglaze

40cm x 21cm x 21cm 

Juniper Hall, Oxford St Paddington
Thu, Mar 5th, 2020 6:00 pm to Sun, Mar 22nd, 2020 5:00 pm

Fisher's Ghost Art Award 2019



Fisher's Ghost Art Award 2019

Campbell Town Arts Centre
Thu, Apr 11th, 2019 2:21 pm to Thu, Apr 11th, 2019 2:21 pm

Birds 2, Maunsell Wickes Gallery Paddington 2019

Exhibition of 12 handmade ceramic bird sculptures.

Maunsell Whickes Gallery, 19 Glenmore Rd Paddington
Wed, May 1st, 2019 10:00 am to Mon, Aug 12th, 2019 5:00 pm

Facade: Art Deco of Murwillumbah, Tweed Regional Gallery 2019

Group Exhibition 

The Tweed Regional Gallery, Gallery Downtown

Gallery DownTown, Mistral Rd, Murwillumbah
Thu, May 16th, 2019 10:00 am to Sat, Aug 10th, 2019 5:00 pm

Hey, Listen Up, Lismore Regional Gallery 2019

Solo Exhibition 

Artist Talk and Workshop 11am Thursday 28th March

Lismore Regional Art Gallery
Sat, Feb 16th, 2019 10:00 am to Sun, Mar 31st, 2019 5:00 pm

Birds, Maunsell Wickes Gallery, Paddington 2018

Group Exhibition of Australian Bird artists

Maunsell Wickes Gallery, 19 Glenmore Rd Paddington
Mon, Oct 1st, 2018 10:00 am to Mon, Nov 26th, 2018 5:00 pm

Released Class of 2018, MFA Grad Show National Art School

Group exhibition of 37 National Art School Masters of Fine Art Graduates.

Released Class of 2018

National Art School Forbes St Darlinghurst Sydney
Thu, Nov 8th, 2018 11:00 am to Sun, Nov 18th, 2018 5:00 pm

Temple of Fashion, Canberra Potters Society 2017

This Exhibition is the culmination of an eight week Artist in Residency at the Canberra Potter's Society in Watson. ACT.

Amanda went to Canberra to locate and study the fashion designs of Maggie Shepherd. Maggie Shepherd began her career in the early 1980's. Maggie built a fashion empire which exported Australian women's fashion to the world.

This body of work is Amanda's reaction to the wonderful and colourful designs of one of Australia's most dynamic fashion designers - Maggie Shepherd.

Canberra Potter's Society, I Aspinall St, Watson. ACT
Thu, Jan 19th, 2017 10:00 am to Sun, Feb 5th, 2017 4:00 pm

Gone Girl, Ballina Art Gallery 2016

This is an installation dedicated to the memory of the women who have suffered domestic violence.

On the 29th September 2016 there were 49 women in Australia who had died as a result of domestic violence. Gone Girl is a memorial to these women.

The Gone Girl Video has been created.

Thank you to the people of Ballina, NSW. The Ballina Community Art Gallery and Christopher and Sophie Davis who made this video possible. The video can be found on YouTube.

NRCG Ballina NSW
Thu, Sep 29th, 2016 5:30 pm to Sun, Oct 23rd, 2016 4:30 pm

Damned Whores and God's Police, Lismore Regional Gallery 2016

An installation of ceramic figurines based on my research into the work of three Australian artists, Anne Summers, Albert Tucker and Joy Hester.

The body of work is about stereotypes, the good woman stereotype and the bad woman stereotype.

Lismore Regional Art Gallery
Thu, Aug 18th, 2016 10:00 am to Sat, Sep 24th, 2016 5:00 pm

Cool Cockies, Mullumbimby 2016

Tweed Regional Council Art Project. The Art Square.

Club Mullum, Mullumbimby NSW
Sun, Jan 3rd, 2016 10:00 am to Mon, Feb 1st, 2016 10:00 pm

Bluestocking, Ballina Gallery 2016

Northern Rivers Community Gallery, Cherry St, Ballina NSW
Wed, Jan 20th, 2016 10:00 am to Sun, Feb 14th, 2016 4:00 pm

BeLonging - Embodied Commentaries Inspired by Place ANU 2015

BeLonging Exhibition curated by Madulika Ghosh was part of the Canberra Stepping Up Ceramics Trienniel Conferrence  2015.

ANU, School of Art, Canberra
Sat, Jun 27th, 2015 9:00 am to Sat, Jul 11th, 2015 5:00 pm

Brisbane Grammar School Art Show 2014

45th Sapphire Art show.

Jewels of the Night. Three female figurines.

Brisbane Grammar School. Gregory Terrace, Brisbane. QLD
Fri, Aug 22nd, 2014 10:00 am to Sat, Aug 23rd, 2014 10:00 pm

The Course of Objects - The Fine Lines of Inquiry, Manly Art Gallery 2013

A Group Exhibition.

Curated by Susan Ostling.

The Australian Ceramics Association's Biennial Exhibition.

"Perhaps it is impossible to wear an identity without becoming what you pretend to be." My collection is about female identity. These imperfect vintage style figurines are modeled on Marie Antoinette and the French Rococo era in art history. The Rococo period of the 18th century was a time where art embraced the exotic. The women of the court of King Louis XVI were fashionable and extravagant. Women were defined by their dress – costumes were meticulously designed and women conscientiously paraded themselves in public. These women deliberately made choices about their appearance. Outrageous or demure, frivolous or over the top, impression was paramount. The more voluminous the skirt and elaborate the costume, the greater the pretense. In my work the dress becomes a metaphor for identity – a mask that a woman hides behind; a place where she finds comfort. But what of the woman behind this charade? Does her appearance define her reality? Quote from Orson Scottcard – "Ender's Game".

Manly Art Gallery and Museum. West Esplanade Reserve Manly NSW.
Fri, May 2nd, 2014 6:00 pm to Sun, Jun 8th, 2014 4:00 pm

The Byron Bay Art Classic 2013

" incredible day hunting in South Africa! Stalked inside 60-yards, what a hunt."

Winner of  the Sculpture Prize

Twitter @Melissa Bachman

Melissa Bachman is a trophy hunter, an American TV presenter who calls herself a "hard core huntress". In November 2013 she tracked and shot a male lion while on safari in South Africa. She hunts and kills exotic animals for sport.

Amanda Bromfield creates figurines fashioned and referenced in history. In this work she has referenced a 1830's Staffordshire porcelain figurine titled "Death Of Munrow" by an unknown ceramist. The roles and out come are reversed in this sculpture. The lion stalks and kills the human. The lion collects the trophy, poses with the kill and twitters about this "incredible day hunting".

Byron Bay Community Centre, Byron Bay
Fri, Jan 10th, 2014 6:00 pm to Wed, Jan 15th, 2014 6:42 pm

Menagerie, Ballina Gallery 2014

Ceramic sculptures of aristocratic Rococo Girls parading their collections of exotic and curious animals.

Dressed to impress, they sport outrageous animal inspired fashions .

Louis XV1 had a Menagerie at Versailles, it was a status symbol of power and wealth.

These caged animals are often seen as "metaphors of slavery and oppression". Louise E. Robbins, Elephant Slaves and Pampered Parrots. 2002


Exotic animals captured and transported from; Africa, the Indies and the Americas were all the rage in 18th Century Paris. The monarchy and aristocrats exhibited these wild and "never before seen" creatures in Menageries. Only the rich and powerful could afford the luxury of keeping and showing off such extravagant possessions. Exotic animals were paraded as symbols of status.Women and men's fashions reflected the latest animal sensation. Giraffe print dresses and hairstyles for wealthy women and zebra striped suits for the men. Animals captured in the new French colonies were traded, transported and displayed as caged curiosities. Land and sea voyages were treacherous, few animals survived the journey, those that did became a source of fascination, fear and revulsion. Animals battled to the death in public forums, were imprisoned in cages or became captive slaves performing tricks for human entertainment. Amanda Bromfield has captured the frivolity and extravagance of the French Rococo era but has also hinted at the poignant sense of loss as the magnificent wild creatures surrender their freedom to become pampered pets and animal slaves.

Northern Rivers Community Art Gallery. Cherry St , Ballina
Wed, Feb 12th, 2014 10:30 am to Fri, Mar 21st, 2014 2:30 pm

Woollahra Small Sculpture Prize 2013

Advocaat, Delft and Dodos - FINALIST

Increased standards of living take their toll on the bio-diversity of this planet, as consumption increases, species become extinct. According to Dr Richard Leakey we are in the Sixth Age of Extinction*. The rate of extinction has hastened since the Voyages of Discovery by Columbus in 1492. The Dodo was the first recorded extinction of the Modern World, discovered by Dutch sailors on the island of Mauritius in 1662 and extinct within 90 years. In my work, the dress or costume becomes the metaphor for identity. Identity can be individual or, of society as a whole. This 17th century woman personifies Dutch society during this Golden Age of Exploration and Colonialism. She sips her advocaat cocktail, dressed in a beautiful gown, embroidered with Delft Ware patterning. Her dress represents the extravagant consumption of exotic items demanded by the economically mobile European society. The cocktail represents socio economic materialism and wasteful consumption. The economic and political paradigms that fueled the race for Globalisation during the Golden Age continue today as Multinational Corporations strive for global dominance, increased consumerism and profits. The extinction of species is a given consequence of global progress and economic development. Bio-diversity "is going the way of the Dodo".

* Dr Richard Leakey - paleoanthropologist.

Woollahra Council Chambers. 536 NSW Head Rd, Woollahra
Sat, Oct 26th, 2013 10:00 am to Sun, Nov 10th, 2013 4:00 pm

Girl Power - NO CSG, Lismore Regional Gallery 2013

In a 2011 interview published by the Times in London, Sir David Attenborough stated, "We have a huge moral responsibility towards the rest of the planet". In the Northern Rivers, the legacy of the Aquarius Festival has meant that people from all walks of life gather and unite over issues that threaten the environment. Girl Power – NO CSG is about the courageous women of the Northern Rivers community who are continuing this tradition by rallying and protesting to protect our land and water from being mined for Coal Seam Gas. Amanda Bromfield was born into a 3rd generation farming family. She understands the need for rural communities to come together, keep our natural resources and safe from degradation and to preserve our environment for future generations.

Lismore Regional Gallery. Molesworth St, Lismore NSW
Fri, Oct 18th, 2013 10:00 am to Sun, Dec 1st, 2013 4:00 pm

Rococolossal, Ballina Gallery 2014

Amanda Bromfield's Rococo Girls are like the barbie dolls of the French Court of Louis XV and XVI. These were fashionable ladies, extravagant and frivolous - with attitudes to match. Amanda's imperfect vintage style figurines take a subtle dig at these women. The Rococo period was a time where art embraced the exotic, the playful and the witty. Rococolossal refers to this time in art history where hair, dresses and expenditure were all 'over the top'. Women competed to set the most outrageous trends. The dress or costume is an intrinsic ingredient in Amanda's work. The dress is Amanda's metaphor for identity. This identity can be individual or that of a society as a whole. In this exhibition Amanda also uses the dress to represent overconsumption and materialism. The more voluminous and extravagant the costume, the greater the consumption of resources.

Northern Rivers Community Art Gallery , Cherry St, Ballina. NSW
Wed, Oct 2nd, 2013 10:30 am to Thu, Oct 31st, 2013 4:30 pm

Let them eat cake, Lismore Art in The Heart 2013

Lismore - Art in the Heart

Window of Opportunity

Star Court Arcade, Lismore NSW
Thu, Jan 10th, 2013 9:00 am to Wed, Feb 27th, 2013 5:00 pm

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